Viv with the ever faithfull Bones in the 1970's.
Stanshall was born on March 21, 1943 in East London, England before World War II forced him and his mother to evacuate to Oxfordshire. While attending art school under the well-known pop artist Peter Blake (the designer of the Beatles' famed Sgt. Pepper album cover), Stanshall formed the Bonzo Dog Dada Band with flatmate Rodney Slater and fellow student Larry Smith in 1962.
Dubbed the "court jester of the underground rock scene in the 1960s" by influential DJ John Peel, Vivian Stanshall earned his greatest notoriety as the original tenor in the absurdist Bonzo Dog Doo Dah Band, although he was also a noted artist, writer, bon viveur and comedian.
Later shortened to simply the Bonzo Dog Band, the satirical became highly successful before creative differences triggered their break-up in 1970. Stanshall quickly resurfaced with a series of short-lived and diverse projects: the first, the Sean Head Showband, issued the single "Labio Dental Fricative," while his second solo release, under the guise of Vivian Stanshall and His Gargantuan Chums, was a parody cover of Terry Stafford's "Suspicion." "Blind Date" was recorded as biG Grunt, a group also comprised of Bonzo Dog Band auxilliary members Roger Ruskin Spear, Dennis Cowan and "Borneo" Fred Munt; while the group did play a handful of live gigs, they met their premature demise when Stanshall, a heavy drinker and drug user, suffered a nervous breakdown and was hospitalized.
In 1974, Stanshall emerged with his debut solo LP Men Opening Umbrellas, recorded with Steve Winwood; Stanshall later returned the favor, collaborating with Winwood on his own self-titled debut and contributing significant lyrical ideas to 1980's Arc of a Diver. After narrating Mike Oldfield's Tubular Bells, Stanshall was tapped to guest host the BBC Radio 4 program Start the Week, where he developed his monologue Rawlinson End, which later inspired his own 1978 release Sir Henry at Rawlinson End as well as a film of the same title which starred Trevor Howard.
In 1981, Stanshall issued the autobiographical Teddy Boys Don't Knit, followed three years later by the spoken word project Henry at Ndidis Kraal. The Rawlinson saga continued with Rawlinson Dogends, a 1991 play staged at London's Bloomsbury Theatre complete with musical backing from Rodney Slater and Roger Ruskin Spear. Another autobiographical radio play, Essex Teenager to Renaissance Man, followed in 1994, along with film and voiceover work. Vivian Stanshall died in a house fire on the morning of March 5, 1995.
For a full biog. track down the brilliant book "Ginger Geezer, The Life of Vivian Stanshall" by Lucian Randall and Chris Welch.
Also, check out this brilliant short film from 1974/75. Jack De Maniac!!
Stanshall was born on March 21, 1943 in East London, England before World War II forced him and his mother to evacuate to Oxfordshire. While attending art school under the well-known pop artist Peter Blake (the designer of the Beatles' famed Sgt. Pepper album cover), Stanshall formed the Bonzo Dog Dada Band with flatmate Rodney Slater and fellow student Larry Smith in 1962.
Dubbed the "court jester of the underground rock scene in the 1960s" by influential DJ John Peel, Vivian Stanshall earned his greatest notoriety as the original tenor in the absurdist Bonzo Dog Doo Dah Band, although he was also a noted artist, writer, bon viveur and comedian.
Later shortened to simply the Bonzo Dog Band, the satirical became highly successful before creative differences triggered their break-up in 1970. Stanshall quickly resurfaced with a series of short-lived and diverse projects: the first, the Sean Head Showband, issued the single "Labio Dental Fricative," while his second solo release, under the guise of Vivian Stanshall and His Gargantuan Chums, was a parody cover of Terry Stafford's "Suspicion." "Blind Date" was recorded as biG Grunt, a group also comprised of Bonzo Dog Band auxilliary members Roger Ruskin Spear, Dennis Cowan and "Borneo" Fred Munt; while the group did play a handful of live gigs, they met their premature demise when Stanshall, a heavy drinker and drug user, suffered a nervous breakdown and was hospitalized.
In 1974, Stanshall emerged with his debut solo LP Men Opening Umbrellas, recorded with Steve Winwood; Stanshall later returned the favor, collaborating with Winwood on his own self-titled debut and contributing significant lyrical ideas to 1980's Arc of a Diver. After narrating Mike Oldfield's Tubular Bells, Stanshall was tapped to guest host the BBC Radio 4 program Start the Week, where he developed his monologue Rawlinson End, which later inspired his own 1978 release Sir Henry at Rawlinson End as well as a film of the same title which starred Trevor Howard.
In 1981, Stanshall issued the autobiographical Teddy Boys Don't Knit, followed three years later by the spoken word project Henry at Ndidis Kraal. The Rawlinson saga continued with Rawlinson Dogends, a 1991 play staged at London's Bloomsbury Theatre complete with musical backing from Rodney Slater and Roger Ruskin Spear. Another autobiographical radio play, Essex Teenager to Renaissance Man, followed in 1994, along with film and voiceover work. Vivian Stanshall died in a house fire on the morning of March 5, 1995.
For a full biog. track down the brilliant book "Ginger Geezer, The Life of Vivian Stanshall" by Lucian Randall and Chris Welch.
Also, check out this brilliant short film from 1974/75. Jack De Maniac!!
No comments:
Post a Comment